Horseman 980 vs Horseman 45HD

For landscape and architectural photography, there is no question that using a view camera gives you the best control over perspective, the plane of focus and spectacular resolution too. For several years I’ve been using a Horseman 980 medium format technical field camera for this purpose. It has almost all the functionality of a largeContinue reading “Horseman 980 vs Horseman 45HD”

Canon Pellix QL

Released 1966 The Canon Pellix looks like any other Canon SLR of the 1960s or 70s, but it has an important difference. The mirror in the Pellix is fixed and always directs light to the viewfinder and to the film simultaneously. You avoid mirror vibration, but lose some light. If you’re using the built-in TTLContinue reading “Canon Pellix QL”

Camera database

This is going to be a long article about photography and databases. Mostly databases, and in particular how to model certain photographic entities in a relational database. If you’re not interested in databases, stop reading now! I have quite a collection of cameras and lenses and I wanted to track as much information as possibleContinue reading “Camera database”

Agfa Click-II

Released 1959 This is a simple camera, basically a box camera in all but shape. It has a slow, fixed-focus lens, a single-speed shutter and three selectable apertures. These are three holes of different sizes punched in a sheet of metal, rather than a continuously variable diaphragm.   At a glance Lens Fixed Achromat 72.5mm f/8.8Continue reading “Agfa Click-II”

Digitising a Super 8 film

[toc] Over the past few weeks I’ve made digital copies of quite a few Super 8 films. The proper way of doing it is by scanning each frame individually but this involves expensive and hard-to-find equipment. You can send films away to various companies to be digitised properly for not too much money, but thatContinue reading “Digitising a Super 8 film”