Horseman 980 vs Horseman 45HD

For landscape and architectural photography, there is no question that using a view camera gives you the best control over perspective, the plane of focus and spectacular resolution too. For several years I’ve been using a Horseman 980 medium format technical field camera for this purpose. It has almost all the functionality of a largeContinue reading “Horseman 980 vs Horseman 45HD”

Medium format sheet film sizes

When you say “medium format” to people*, they probably think of 120 or 620-format roll film. But the definition of “medium format” also includes sheet film larger than 35mm and smaller than 5×4″. Until now I’ve only really used roll film but for my birthday I was given a sheet film camera and I alsoContinue reading “Medium format sheet film sizes”

Horseman 980 technical camera – some thoughts

I’m no stranger to medium format photography. I’ve owned a few box cameras, a basic folding camera, and a cheap TLR for a while. Last year I started to take it seriously by buying a Mamiya RB67 outfit. I’ve been using it mainly for landscape photography and perhaps inevitably, I ran into the need toContinue reading “Horseman 980 technical camera – some thoughts”

Converting 120 film to 620

Recently I was lent a Kodak Six-20 Brownie box camera. Rather than the 120 medium format film I’ve used in the past, it takes 620 film. The film stock is identical; only the spools differ. The 620 spool has a thinner axle, the end caps have a smaller diameter by about 2mm, and  the overallContinue reading “Converting 120 film to 620”

New camera: Coronet Conway Synchronised

For some time now I’ve been wanting to get into medium format photography. I have the right developing stuff to process the films myself, but unfortunately no way of scanning the negatives without buying a flat-bed scanner. But my colleague Paul offered to scan 120 roll film if I processed it first. With this barrierContinue reading “New camera: Coronet Conway Synchronised”