Released 1972 I’ve dabbled in Super 8 film-making before with my budget-level Mayoral Super 8 camera. It was rather point-and-shoot and I found it quite limiting. For my latest project, I decided to buy this Canon Super 8 camera which has more manual controls, variable frame rate, TTL viewing and other useful stuff.
[toc] Over the past few weeks I’ve made digital copies of quite a few Super 8 films. The proper way of doing it is by scanning each frame individually but this involves expensive and hard-to-find equipment. You can send films away to various companies to be digitised properly for not too much money, but thatContinue reading “Digitising a Super 8 film”
I’ve always had a vague interest in film-making. As a child I borrowed my grandad’s VHS camcorder to make various kinds of film, such as this version of Thunderbirds dating from 1995. More recently, I’ve shot videos on my DSLR for the choir. A while back I was given a Super 8 camera but the highContinue reading “My first motion picture film”
This post is aimed squarely at darkroom aficionados. I was given a roll of Kodak Kodachrome 40 in Super-8 format. It hasn’t been manufactured for years and conventional colour processing using the K-14 process has not been possible since 2010. Kodachrome does not contain coupled dyes so processing is not possible using C-41 (colour negative)Continue reading “Processing Kodachrome as a black & white reversal film”
OK, cinematography is a fancy word for it. I’ve been given a reel of Super-8 film that I want to use, despite various hurdles. Let me explain. I’ve had a collection of Super-8 films and a cine-projector for a while now. I even put a couple of them on YouTube. I also have a Super-8Continue reading “Diving in at the deep end of cinematography”
I know very little about this camera. It’s a silent Super 8 cine camera with auto-exposure, manual zoom and fixed focus. It shoots only at 18 fps and the only control is a trigger to start and stop.