These two large-diaphragm condenser microphones from Behringer are likely to be among the first condenser microphones that audio engineers on a budget lay their hands on. What’s the fuss about? Are these good microphones? And how do they differ? The Behringer B-1 and B-2 are Behringer’s top of the range microphones. As part of the […]Read more "Behringer B-1 vs B-2"
I’ve been using small-diaphragm condensers for a while now and decided it was time to step up to something a bit less entry-level. Don’t get me wrong, my Behringer B-5s are great but they have their limitations. I hope these notes will be useful to someone else who is looking to step up from entry-level condensers […]Read more "Behringer B-5 vs Sontronics STC-1"
Behringer make a range of budget microphones which are popular with home musicians and offer good value for money. Unfortunately their naming scheme is not that clear and it can be hard to know what you’re buying, and how the products relate to each other. This article is not supposed to compare Behringer microphones with other […]Read more "Behringer microphones"
There’s a bewildering choice of microphone types available and it can be hard to know which type of microphone to choose, let alone which make and model within that type. I grabbed one of each of my microphones and performed a simultaneous microphone test on various test sounds. Maybe this unscientific video test will even […]Read more "Multi-microphone test"
I recently picked up a De Vere 54 enlarger for a bargain price. It’s a 1950s machine, designed to take 5×4″ negatives. In order to use the light most efficiently when making large prints, the enlarger is fitted with a condenser to give parallel illumination to the negative. However, the flip side of a condenser […]Read more "Converting a De Vere 54 condenser enlarger to diffusion"
Recording a choir and organ in a church is one of the hardest things a recording engineer can do. There are loads of guides on the internet that explain how to use which type of microphone to use and where to put it, but most of these guides fail to give clear advice on recording […]Read more "Side by side comparison of choral recording techniques – XY vs AB"
I’ve been using a pair of Behringer C-2 small diaphragm condenser microphones for several years now, and I’ve been extremely impressed. This week I had cause to buy another pair – but I noticed that since I bought my C-2 microphones, Behringer have introduced the C-4. So what’s the difference? The blurb on Behringer’s website […]Read more "Behringer C-2 vs C-4"
For several years I’ve been making recordings of church choirs, usually accompanied by an organ. I’ve been using a pair of Behringer C-2 small diaphragm cardioid condenser microphones, and until now I’ve been reasonably pleased with my technique – and then I tried the ORTF technique. X-Y technique In the past, I’ve always used the […]Read more "ORTF microphone technique"
I’ve now recorded the choir of St Mary’s, Fishponds on a few occasions. I’ve found a formula I like for the choir, but I’m still undecided on what works best for the organ. This article gives a bit of an overview of the things I’ve tried, and the results. Where everything is Before I get […]Read more "Recording a pipe organ and choir"