There’s a bewildering choice of microphone types available and it can be hard to know which type of microphone to choose, let alone which make and model within that type. I grabbed one of each of my microphones and performed a simultaneous microphone test on various test sounds. Maybe this unscientific video test will even […]Read more "Multi-microphone test"
Mist + Bristol = Mistol. Well, I thought it was funny anyway. These two shots were taken on a roll of film that’s been in my Zeiss Super Ikonta A 531 for a few weeks. Many of the pictures didn’t come out, because I forgot that the 1937 Tessar lens is not coated, and flares very […]Read more "Mistol"
Released 1937 This wonderful camera is one of the oldest in my collection, and yet I bought it specifically to use, not to look at. I wanted a medium format travel camera, because my medium format SLRs are too heavy to cycle with comfortably. This Super Ikonta folds up to a size barely larger than […]Read more "Zeiss Ikon Super Ikonta A 531"
This article is specifically about capturing classical or other acoustic music with multiple microphones in a format that is suitable for playback on a 5.1 surround speaker system. 5.1 surround is desirable with classical music in particular to give the listener a sense of being in the midst of the music. If I can get 5.1 recording […]Read more "Recording in 5.1 surround"
This is the closest to totality that we saw in Bristol during the solar eclipse this morning. Taken on a digital camera, but using a decidedly vintage Tokina RMC 400mm f/5.6 lens with Paragon 2x teleconverter and a custom-made solar filter.Read more "Partial solar eclipse"
I’ve used infrared film quite a lot in the past, but hardly used my infrared DSLR for anything except astronomy. I once tested digital infrared, but this is the first time I’ve properly used it for photography. These assorted shots were taken over the past few days, whenever the sun came out. These pictures were […]Read more "Digital infrared"